Originally published on Sat April 20, 2013 6:38 pm
The percussionist and bandleader Tito Puente would have celebrated his 90th birthday this weekend on April 20. And the recently released box set Quatro: The Definitive Collection is a great place to start celebrating the once and forever King of Latin Music. It captures the driving sound of big band mambo and cha-cha-cha that launched people onto dance floors for decades.
"I always felt like I was being stalked by that feeling of heartbreak." That's Josh Ritter talking about the beast that exists in the title of his seventh and latest record, The Beast in Its Tracks, an album written in the wake of his 2011 divorce from singer-songwriter Dawn Landes. To the extent that these new songs were written post-divorce, this is Ritter's "divorce album," but that's where comparisons to the likes of Blood on the Tracks and Shoot Out the Lights stop.
Some stories stand the test of time: Shakespeare's plays, the fairy tales of the Brothers Grimm, and the Child ballads.
If you're unfamiliar with them, they're not for children. They're Scottish and English folk songs from the 17th and 18th centuries and earlier. They're named after Francis James Child, the Harvard professor and folklorist who collected them.
Numbers are down at the American International School in Bamako, the capital of Mali.
In just over a year, the country has witnessed a rebellion, a military coup and the occupation by Islamist fighters of the desert northern region, recently largely liberated in a counteroffensive by French-led forces. Despite the troubles, the school is open and classes continue.
Teacher Paul Chandler is taking his combined class of 6th- and 7th-graders through their early paces, learning the Malian music they'll be performing at the annual school concert.
How do you write something like Partita for 8 Voices, the a cappella vocal piece that is this year's winner of the Pulitzer Prize for music?
"Very late at night," says the composer, Caroline Shaw, speaking with NPR's Scott Simon. "Sometimes it comes from having a sound in your head that you really want to hear, that you've never heard before, and struggling to make that sound happen in any way you can."
Please tune in for the forthcoming edition of All This Jazz, which gets underway at 10pm Central on Saturday the 20th here on Public Radio 89.5-1. (We'll also offer, as ever, a re-airing of our program at 7pm on Sunday the 21st on Jazz 89.5-2, which is our all-jazz HD Radio channel.)
All This Jazz spins modern jazz, both recent and classic --- and there's always a "theme" in the second half of our two-hour broadcast.
The last few years have found Mark Oliver Everett of Eels doing more than a bit of summing up. That includes an autobiography, Things the Grandchildren Should Know, as well as an anthology of the band's past work — all while putting out an inter-related trilogy of new studio albums.
On this Piano Jazz from 2008, bassist and singer Esperanza Spalding brings her neo-soul style to a set of standards with the aid of pianist Leo Genovese. Spalding is one of the most talked about artists in jazz today.