Originally published on Mon October 15, 2012 9:08 am
Steve Brown and his band The Bailers make their first appearance on Mountain Stage, recorded live on the campus of the University of Alaska at Fairbanks. When Mountain Stage began planning its trip to Fairbanks in late 2011, host Larry Groce set out to find some of the state's most talented musicians to feature on the show, and one of the names that popped up repeatedly was Steve Brown & The Bailers.
Originally published on Thu October 11, 2012 12:38 pm
(In this third and final part of a series, pianist Jonathan Biss explores the idea of musical longing in Robert Schumann's music. Click the audio link above to hear Biss play Schumann and discuss the composer with Performance Todayhost Fred Child.)
Originally published on Mon October 15, 2012 9:07 am
The bluegrass band Bearfoot returns to Mountain Stage, recorded live on the campus of the University of Alaska at Fairbanks. This was one of Bearfoot's final appearances featuring its current lineup, as singer Nora Jane Struthers and bassist P.J. George are set to step away to promote an upcoming Struthers solo project.
Originally published on Thu October 11, 2012 1:18 pm
The 11-member group from Boston known as Debo Band has a sound influenced by the traditional music played in Addis Ababa, Ethiopia, in the late '60s and early '70s. This style, labeled "Addis swing," came about amid the cultural freedom of that period, before a military coup put an end to the era. Ethiopian-American saxophonist Danny Mekonnen, who was born in Sudan and grew up in Texas, founded Debo Band, which released a self-titled album in July.
It's been a tumultuous time for American orchestras. Labor disputes have shut down the Minnesota Orchestra and Indianapolis Symphony, and strikes and lockouts have affected orchestras in Chicago, Atlanta and Louisville in the past year.
Originally published on Wed October 17, 2012 10:20 am
In the last decade or so, it's been invigorating to watch new developments in the American Primitive style of acoustic guitar, as it finds new voices and revives its progenitors. By my estimation, enough time has passed since the first Imaginational Anthem and By the Fruits You Shall Know the Roots compilations to influence a younger crop of guitarists.