On this encore edition of ST, we listen back to a conversation with Amy Wells, a Hollywood-based set decorator who's worked on several outstanding films and TV series over the years, among them the television programs "House," "Love Field," and "Mad Men," as well as the motion pictures "Clueless," "There Will Be Blood," and "A Single Man." Wells did an event here in Tulsa (at the Philbrook Museum of Art) back in May; at that time, she stopped by our studios to talk about her interesting work on AMC's "Mad Men" --- a critically acclaimed show that's routinely praised as much for its costumes
On today's edition of StudioTulsa, we're pleased to welcome back an old friend, Michael Hightower, who lived and worked in Tulsa for about two decades, starting in 1980, and who, for most of that time, owned and presided over Council Oak Books. Now based in Charlottesville, Virginia, Hightower joins us to talk about his new novel, "The Pattersons," a work of historical fiction as well as modern-day sociological commentary that occasionally draws on Hightower's own life story.
"Some folks look at me and see a certain swagger," the former President George W. Bush once remarked to an appreciative audience, "which, in Texas, is called 'walking.'" It's pretty clear to just about everyone that the State of Texas sees itself as a breed apart in many ways, and for many reasons; Texans, as a rule, seem to consider their home state an exceptional, singular, not-to-be-messed-with place.
On this installment of StudioTulsa, we welcome back Scott Perkins, a curator at the Price Tower Arts Center in Bartlesville, who tells us about a fine exhibit currently on view at the Price Tower called "From Process to Print: Graphic Works by Romare Bearden." Bearden (1911-1988) is widely regarded as one of the most important African-American artists this country has produced; he made art works in a range of media and was also a gifted writer, a cherished mentor to younger generations of artists, a tireless arts advocate, and a prominent intellectual and collaborator within the artistic/cu
Earlier this month, in the pages of The New York Times Book Review, the acclaimed American historian Douglas Brinkley and the accomplished Hollywood actor Johnny Depp offered a co-written essay that made at least two rather surprising announcements.