Tom Huizenga

Credit Mito-Habe Evans

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
7:37 pm
Sat April 6, 2013

Vespers, Habaneras And Early Morning Walks: New Classical Albums

Originally published on Sun April 7, 2013 5:52 pm

Robert Frost's famous poem "The Road Not Taken" begins with the line: "Two roads diverged in a yellow wood." Frost's traveler must choose between them. But slide that metaphor over to the world of classical music and you will discover hundreds of paths to explore.

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Deceptive Cadence
1:29 pm
Fri March 29, 2013

Marches Madness: Rubbing Aladdin's Lamp

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Deceptive Cadence
12:03 pm
Thu March 28, 2013

The Good Friday 5: Musical Passion Stories You Must Hear

Originally published on Thu March 28, 2013 5:17 pm

For Christians around the world, this week, leading up to Easter Sunday, is one of the most meaningful in the religious calendar. The dramatic story of Jesus' final days, as related in the four Gospels of the New Testament, has been meaningful for composers, too, and a rich source for many musical settings of the Passion story. J.S. Bach is still the benchmark when it comes to composing Passions. His St.

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Classics in Concert
1:29 pm
Wed March 27, 2013

Live At Carnegie Hall: Jonathan Biss and The Elias String Quartet

Originally published on Thu May 16, 2013 9:31 am

In October, pianist Jonathan Biss set out on a vision quest, a season-long immersion in music by Robert Schumann. Biss and the members of England's Elias String Quartet have been exploring Schumann and associated composers in cities throughout Europe and North America, including a Carnegie Hall concert webcast live on this page (and at WQXR) Tuesday, April 2 at 8 p.m. ET.

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Deceptive Cadence
9:47 am
Mon March 25, 2013

Marches Madness: From Trash Can To Flagpole

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Originally published on Wed March 27, 2013 10:55 am

Deceptive Cadence
8:55 am
Thu March 21, 2013

Marches Madness: Mahler's Twisted Nursery Rhyme

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Mahler's ironic funeral march, in his first symphony, was inspired by this woodcut of forest animals bearing the hunter to his grave.
Deceptive Cadence
8:24 am
Tue March 19, 2013

Music We Love Now: New Albums Of Bach, Beethoven And Brahms

Originally published on Tue April 2, 2013 9:04 am

New albums of music by the "Three Bs," Bach, Beethoven and Brahms, prove that going back to basics has its advantages. Hear a sweet-toned violin concerto, an audacious piano sonata and a solo cello suite caressed by a lute.

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Deceptive Cadence
8:34 am
Mon March 18, 2013

Marches Madness: Freshly Squeezed Oranges In 4/4 Time

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For his zany opera The Love for Three Oranges, Prokofiev wrote a little march that made it big.
Deceptive Cadence
12:10 pm
Tue March 12, 2013

Tell Us: Are Ballet And Opera Elitist?

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In an age when we are hearing more music than ever, are opera and ballet elitist?

It's a question virtually as old as the art forms themselves: Are ballet and opera elitist?

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Deceptive Cadence
8:51 am
Tue March 12, 2013

Marches Madness: Walk Like An Egyptian

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Verdi's opera Aida, set in the time of the Pharaohs, is known for its extravagance, yet its "Triumphal March" is surprisingly simple.

Elephants, Egyptian palaces, politics and love triangles — now we're talking grand opera!

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